Sir Peter Jackson’s Honorary Palme d’Or celebrates a career that helped place Aotearoa screen craft on the world stage.

Wilco the Catahouligan takes his on-set duties seriously, from beach recces to professional stick retrieval

Otago and Southland documentary makers can now apply for production funding of up to $10,000.

NZFC updates application processes, international activity, and sector developments in its May industry newsletter.

Understanding how pencil bookings work, when they become confirmed, and what happens when another production wants the dates.

In this Spotlight, Sambath talks about learning film by doing, finding truth in the in-between moments, and why storytelling will always stay human.

Location access is shifting, with updates on permits, fees, traffic management and planning for screen productions.

Government secures diesel supply to strengthen fuel resilience, with potential positive impact for screen workers and production logistics.

Unwritten rules, real set behaviour, and practical tips to help emerging crew feel confident, useful, and ready from day one. Welcome to Set Savvy.

Film Dunedin has released a new showreel and it’s not your typical locations montage.

April sees steady production activity, with ongoing shoots and few confirmed updates across the slate.

Behind the scenes? Not anymore, Rupert Woofett is making his move to centre stage!

The applause hasn’t stopped for Tenor: My Name Is Pati, with the New Zealand documentary passing $1 million at the local box office over the weekend and cementing its place among the country’s most successful local documentary features.

From stunts to stitching, Amber Rhodes has built a bold, joyful career in costume, driven by curiosity, grit, and real love of film.

What freelance work in screen really involves behind the scenes, from tax and GST to cash flow and ACC

Not just membership. Real support, practical tools, and a collective voice for screen crew across Aotearoa.