How do you schedule carnage? 1st AD Sarah Bicknell on gore, weather and bringing Black Sheeps together in Wellington.

NZFC Core Funding Programme to End in 2027. What this means for the Screen Guild and our members.

From pencils and bookings to skills shortages, Filmcrews explains what helps crew get hired again.

What changes when the needs of cast, crew and audiences are considered before the first call sheet goes out?

Black Sheeps brings killer sheep back to the screen, with Wellington crew, practical effects and Wētā Workshop behind the new sequel.

The September slate brings together productions currently active around Aotearoa, from projects in prep to those already filming.

The Indian Film Festival New Zealand (TIFFNZ) will launch this October, bringing Indian cinema, filmmakers and industry events to Auckland, Wellington and Christchurch.

Julian Herrera on finding his place in the camera department, learning on set and why no two jobs in film are ever quite the same.

Built, tested, used, refined: Hendrikus De Vaan’s approach to making equipment for working film crews.

Prep days, rental house runs and plenty of “manic spaniel energy” - meet Frankie, the #panapup.

Brad Pitt survival thriller Heart of the Beast showcases South Island locations and New Zealand screen talent in its newly released trailer.

Ordinary Auckland flats, alien anatomy, birthing nests and 336 litres of slime. Four departments take us behind the increasingly strange world of Mum, I’m Alien Pregnant.

A career in film isn’t for the fainthearted. Gabrielle talks about the realities of making it last, from reputation and relationships to navigating the quiet stretches.

International productions chasing an extra 5% rebate now have more reason to employ New Zealand crew.

The August slate brings together productions currently filming across Aotearoa.

Kirk Pflaum on camera craft, the people who keep him in film, and why your job shouldn’t define your worth.